Landeg White

Nasceu em 1940 no sul do País de Gales e foi  professor universitário em Trinidad, no Malawi, na Serra Leoa, na Zâmbia e na Universidade de York. Agora, vive em Carapinheira, e trabalha na Universidade Aberta. Sua esposa, Alice, é de origem Moçambicana e têm dois filhos. Os seus livros incluem V.S Naipaul: a Critical Introduction (1975), Capitalism and Colonialism in Mozambique (1980), Magomero: Portrait of an African Village (1987), Power and the Praise Poem (1992) e Bridging the Zambesi (1993). É também autor de cinco obras de poesia e da tradução de Os Lusíadas (Oxford University Press) que recebeu o prémio Teixeira Gomes em 1998, em Londres. Landeg White lecciona o Seminário de História de Inglaterra.

The Most Deceiving  

 

Fernão Mendes Pinto. Viva!

memorialised in the famed Thesaurus

as conjurer, deceiver, liar,

trickster, humbug, a massed chorus

 

of Pharisee, Rosicrucian, Jesuit,

actor, jobber, dissembler, charlatan,

all because you refused to credit

the Portuguese could civilise Japan!

 

In your book, the pious Catholic

pirate, ruthless as any infidel,

bound by his imperial ethic

rapes, despoils, betrays, kills.

 

You mock yourself as God’s missionary

lampooned for eating with your hands.

How could you not go down in history

but as by-word for the soi-disant?

 

Medicaster, saltimbanco,

I hope in Dante’s whichever hell

jockey, perjurer, Cagliostro

Roget’s doing time for libel.

 

My question’s this: as you ploughed

old memories into your jeremiad

blockbuster Perigrinação,

did you know of C. and his Lusíads?

 

 

 

While the picaresque and satiric

danced from your goosequill in Almada,

the sublime and truly epic

went begging in Alcântara,

 

the briefest of river trips apart,

within hailing distance as it were.

Did you never share a heart-to-heart

with that other Eastern warrior?

 

Your buccaneers were his barões.

He saw God’s designs turning

on the deeds of mariners you disowned

and reckoned fit for burning.

 

Two masterpieces, alternate visions,

divided by an estuary

which drifts into the setting sun,

that uncompromising referee.

 

You won your case, you lost your cause,

for history’s unkind to truth,

bestowing all her best applause

on those capable of myth.

 

It’s no unflattering epitaph

to be yoked with the most deceiving,

Luís de Camões’ apocryph,

and an author to believe in.

 

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